Due to her youth (16 when she first hit Myspace, 17 when signed to an imprint of EMI, and 18 when her debut album came out), perky-cute looks and extremely British diction, singer/songwriter got a lot of comparisons to in her early buzz, but the quietly compelling is not at all a frothy pop confection. A folk-tinged AAA pop record based on 's alluringly husky voice and graceful acoustic guitar, would be more aptly compared to the likes of,,.

(In the album's press kit, reveals her primary influence to be, which also seems appropriate.) Although not to draw too forbidding a comparison, opening track and first single 'Ghosts' is most strongly reminiscent of circa, both in 's expressive vocal phrasing and the expert shifts in the arrangement between solo acoustic passages and full-band sections, not to mention an excellently deployed string section. That old-school '70s singer/songwriter vibe predominates throughout the album, in fact. There's one straight-up pop song here, the deceptively chipper-sounding 'Cross Your Fingers' ('.hold your toes/We're all gonna die when the building blows' continues the sweetly sung chorus), but aside from that, is the kind of album that takes a couple of listens for its charms to completely sink in.

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Rather than swath every track in prominent, ear-grabbing hooks, and producer Charlie Fink choose to keep the decorations off in the distance on songs like 'The Captain and Hourglass,' where swells of pedal steel stay buried deep in the mix under 's hypnotic guitar line and quietly insistent vocals. There's every chance that will get lost in the shuffle as the unexpected commercial success of 's leads major labels to unleash hordes of similarly talented female singer/songwriters, but is far better than the average coffee house-endorsed girly pop.