The time for Tyrion's wedding to Sansa has arrived. His resolve to not go through with wedding has evaporated and he now accepts its inevitability.

He explains to Sansa why he feels he has to go through with it and she too is prepared to do her duty. Joffrey goes out of his way to embarrass them both at the ceremony.

Arya assumed Sandor Clegane was taking her to King's Landing and is surprised when tells her where they're going. The Yunkai have hired an army to protect them and Daenerys tries to convince their leaders to come to her side. Most reject her proposal but one decides to take matters into his own hands. Melissandre returns home intent on showing the power of a king's blood.

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Sam and Gilly encounter a white walker. Second Sons is another well-written episode and sets up the last two episodes nicely. Yes, some of the dialog and pacing could've been a bit better, but at least it still maintain the strengths by the previous two seasons. The storyline/script is still compelling, the performances are still great, the relationships still shines, the directing is really focused well, the editing is still sharp, the scenery is still gorgeous, and Ramin Djawadi continues to compose some beautiful moments in his score. So, overall, not excellent, but still well-written and sets up the last two episodes nicely.

Although studying is considered a legitimate scientific nowadays, it is still a very young one. In the early 1970s, a psychologist named J. Guilford was one of the first academic researchers who dared to conduct a study of creativity. One of Guilford’s most famous studies was the nine-dot puzzle. He challenged research subjects to connect all nine dots using just four straight lines without lifting their pencils from the page. Today many people are familiar with this puzzle and its solution.

In the 1970s, however, very few were even aware of its existence, even though it had been around for almost a century. If you have tried solving this puzzle, you can confirm that your first attempts usually involve sketching lines inside the imaginary square. The correct solution, however, requires you to draw lines that extend beyond the area defined by the dots. At the first stages, all the participants in Guilford’s original study censored their own thinking by limiting the possible solutions to those within the imaginary square (even those who eventually solved the puzzle). Even though they weren’t instructed to restrain themselves from considering such a solution, they were unable to “see” the white space beyond the square’s boundaries. Only 20 percent managed to break out of the illusory confinement and continue their lines in the white space surrounding the dots. The symmetry, the beautiful simplicity of the solution, and the fact that 80 percent of the participants were effectively blinded by the boundaries of the square led Guilford and the readers of his books to leap to the sweeping conclusion that creativity requires you to go outside the box.

The idea went viral (via 1970s-era media and word of mouth, of course). Overnight, it seemed that creativity gurus everywhere were teaching managers how to think outside the box.